Stef craps ugent
With an introduction by Lucy Bond, Stef Craps, and Pieter Vermeulen and chapters by Aleida Assmann, Rick Crownshaw, Astrid Erll, Marianne Hirsch and Leo Spitzer. copy and paste the html snippet below into your own page. Stef Craps @stefcraps Mar 21 Job opportunity: PhD scholarship in Environmental Humanities @UGent.
The Agency of Memory Objects: Joanne Garde-Hansen, University of Warwick. General-Audience Article Stef Craps. A Journal of Interactive Media Craps, Stef, and Rick Crownshaw, eds.
Prof. Dr. Stef Craps
The system can't perform the operation now. The following articles are merged in Scholar. Their combined citations are counted only for the first article. This "Cited by" count includes citations to the following articles in Scholar. New articles by this author. New citations to this author. New articles related to this author's research. My profile My library Metrics Alerts. Toby Smethurst Ghent University Verified email at ugent.
Bryan Cheyette University of Reading Verified email at reading. Claire Colebrook Penn State Verified email at psu. Verified email at ugent. Contemporary literature trauma studies memory studies postcolonial studies ecocriticism. Articles Cited by Co-authors.
Title Cited by Year Postcolonial witnessing: Trauma out of bounds S Craps. Canadian Review of American Studies 37 2 , , Articles 1—20 Show more. Trauma out of bounds S Craps Springer , Trauma and ethics in the novels of Graham Swift: S Craps Sussex Academic Press, , Linking Legacies of Loss: Wor l ds of grief: Traumatic memory and literary witnessing in cross-cultural perspective S Craps Textual Practice 24 1 , , Learning to Live With Ghosts: Memory Studies 5 2 , , How to Do Things with Gender:
Сексапильная балерина после занятий танцами приходит к себе домой и располагаясь на двуспальной кровати начинает снимать себя возбуждающее белье. held hands with someone. ой, мама. фигуристая массажистка сделала хороший массаж мужику, за что он её отблагодарил. Восхитительная знаменитость ходила по дому без ничего, не прикрывая свои маленькие сиськи увенчанные торчащими сосками и маленькую писечку с интимной стрижкой.
А дальше определишься.
Skip to main content. Log In Sign Up. I am an associate professor of English literature at Ghent University, where I direct the Cultural Memory Studies Initiative, a research group that brings together scholars from across the humanities who work on issues of memory and trauma as mediated through culture. My research interests range across contemporary global Anglophone literature, C20 and C21 British fiction, memory and trauma studies, postcolonial theory, and ecocriticism and environmental humanities.
I am the author of Postcolonial Witnessing: Tracing the Dynamics of Memory Studies Berghahn, I have also guest-edited two special issues of Studies in the Novel, on climate change fiction with Rick Crownshaw and postcolonial trauma novels with Gert Buelens , and one of Criticism: Tracing the Dynamics of Memory Studies.
Though still a relatively young field, memory studies has undergone significant transformations s Increasingly, scholars understand memory to be a fluid, dynamic, unbound phenomenon—a process rather than a reified object. Embodying just such an elastic approach, this state-of-the-field collection systematically explores the transcultural, transgenerational, transmedial, and transdisciplinary dimensions of memory—four key dynamics that have sometimes been studied in isolation but never in such an integrated manner.
Memory Unbound places leading researchers in conversation with emerging voices in the field to recast our understanding of memory's distinctive variability. Remembering the Indonesian Killings: Small Acts of Repair: Fictions of Generational Memory: The Agency of Memory Objects: Trauma Out of Bounds. Despite a stated commitment to cross-cultural solidarity, trauma theory—an area of cultural inves This book takes issue with the tendency of the founding texts of the field to marginalize or ignore traumatic experiences of non-Western or minority groups, and to take for granted the universal validity of definitions of trauma and recovery that have developed out of the history of Western modernity.
Moreover, it questions the assumption that a modernist aesthetic of fragmentation and aporia is uniquely suited to the task of bearing witness to trauma, and criticizes the neglect of the connections between metropolitan and non-Western or minority traumas. Combining theoretical argument with literary case studies, Postcolonial Witnessing contends that the suffering engendered by colonialism needs to be acknowledged more fully, on its own terms, in its own terms, and in relation to traumatic First World histories if trauma theory is to have any hope of redeeming its promise of cross-cultural ethical engagement.
At the most basic level, place numbers offer craps only a couple of reasonable opportunities. Place bets on 6 or 8, with house edges of 1. But bets on 5 or 9, with house edges of 4 percent, and on 4 or 10, with house edges of 6.
There's a way to improve your odds on 4 or 10, and that's by buying the numbers instead of placing them. You pay the house a 5 percent commission, and in return you're paid true odds if your bet wins. That lowers the house edge to 4. But my old friend Frank Scoblete, author of Beat the Craps out of the Casinos and Forever Craps, always has a play up his sleeve that's far from basic. That, he says, lowers the house edge all the way to 1. How does that lower the house edge all the way to 1. There are two parts to this little puzzle.
First, buy bets on 4 or 10 will win an average of 1 in 3 times they're made, so when Treasure Island charges the commission only on winning bets, it means the player pays the extra only one-third of the time. The house pays winning bets at the true odds of instead of the we get on the place bets.
What if the house collects the commission only on winning bets? Multiply by , and we get a house edge of 1. Multiplied by , that's a house edge of 1. Few casinos charge the commission only on winning bets. It doesn't hurt to ask. Does lowering the house edge to 1. At that level, the house edge is even lower than the edge on placing the 6 or 8.
In fact, it's even lower than the 1. If you're placing or buying, the house edge has more chances per hour to work against you than if you're betting pass or don't pass.